#Kineraw s35 kc neutral lut full

The last Kinefinity camera I reviewed was the MAVO LF, and that was a very capable camera given its capabilities and feature set, however, its overall usability needed improvement.

The company has come a long way since 2012 and its cameras have continued to get better and better over the years. I actually shot with their first-ever prototype camera, the KineRAW S35 way back in 2012. They are a small company that has been around for more than a decade. Kinefinity has a rather niche place in the digital cinema camera space. A lot has changed in the last 10 years Shooting with a pre-production KineRAW S35 camera in 2012 This has made it harder and harder for smaller companies such as Kinefinity and Z CAM to compete. However, times have changed, and now most camera companies are offering impressive full-frame digital cinema cameras that are very competitively priced. Kinefinity has historically offered features and functionality in a lot of its cameras that no other manufacturer was doing for a lot less money. Video outputs: Video port x2, 3G-SDI port x2.KineMOUNT (Interchangeable mounting system): Support PL/EF/Sony E/ARRI LPL Mount.Custom LUT: Support third-party 3D LUT in both shooting and post production.

KineMAG Nano: Fully optimized NVMe-based M.2 SSD.

Low rolling shutter effect: Fast CMOS imaging sensor readout speed.

High frame rate: Up to HD Wide, up to Wide, up to Wide.

#Kineraw s35 kc neutral lut full

ProRes: In-camera ProRes 422HQ, ProRes 4444, PreRes 4444XQ recording at full resolution, in-camera oversampling 4K.Dual native ISO: 5120/800, low noise level and high latitude image at both settings.